1)Spacial views have differed greatly between artists making their works extremely successful and recognizable. The "flatness" or
pictorial space in art had a great turning point in the renaissance. Money is credited with using optical illusion in his paintings. from
up close a Monet may look like a cluster of unorganized dots, but from far away those unorganized dots become a masterpiece.
This revolutionized the way we see depth and space in artwork. lack of precision in this instance creates a more organic tone. one
of the biggest influences in modern art is the development of photography. There are aspects of nature or even lighting that the
camera lens can capture in a different way than the naked human eye can. Photography lead to the decrease of realism and
facsimile portraiture. Photography also allowed for the mobility of painting making it easier to be spread and seen by more people.
impressionists painted landscapes partly because they were interested in the effects of sunlight and the dissolution of linear form.
self conscious awareness of surroundings and space transformed pictorial space.
2) Modernism is where flatness and space began to change yet again. artists such as Courbet rediscovered flatness. flatness
became such a compelling substantial set of qualities of the nineteenth century. Flatness was an emblem of modernity and flat
surfaces were reminiscent of posters and labels and fashion prints and photographs. one thing that Cézanne is known for his his
utilization of great color in paintings. he admired the use of great color in other impressionists' artwork. One things that he added
to impressionism was lack of flatness. Dimension was a key element that Cézanne felt was not as prominent as it should be. the use
of dark and light added dimension and value to his impressionist paintings making him a very influential artist for the time. Denison
can be shown through planes and Cézanne utilized fragmenting each scene that he would create into a myriad of frontal planes and
cool and warm color tones. He also reversed the traditional use of atmospheric perspective in converging panel lines.
pictorial space in art had a great turning point in the renaissance. Money is credited with using optical illusion in his paintings. from
up close a Monet may look like a cluster of unorganized dots, but from far away those unorganized dots become a masterpiece.
This revolutionized the way we see depth and space in artwork. lack of precision in this instance creates a more organic tone. one
of the biggest influences in modern art is the development of photography. There are aspects of nature or even lighting that the
camera lens can capture in a different way than the naked human eye can. Photography lead to the decrease of realism and
facsimile portraiture. Photography also allowed for the mobility of painting making it easier to be spread and seen by more people.
impressionists painted landscapes partly because they were interested in the effects of sunlight and the dissolution of linear form.
self conscious awareness of surroundings and space transformed pictorial space.
2) Modernism is where flatness and space began to change yet again. artists such as Courbet rediscovered flatness. flatness
became such a compelling substantial set of qualities of the nineteenth century. Flatness was an emblem of modernity and flat
surfaces were reminiscent of posters and labels and fashion prints and photographs. one thing that Cézanne is known for his his
utilization of great color in paintings. he admired the use of great color in other impressionists' artwork. One things that he added
to impressionism was lack of flatness. Dimension was a key element that Cézanne felt was not as prominent as it should be. the use
of dark and light added dimension and value to his impressionist paintings making him a very influential artist for the time. Denison
can be shown through planes and Cézanne utilized fragmenting each scene that he would create into a myriad of frontal planes and
cool and warm color tones. He also reversed the traditional use of atmospheric perspective in converging panel lines.